Best Way to Learn Guitar Without a Teacher

We are discussing about Best Way to Learn Guitar Without a Teacher. I’m a guitar teacher, and I have some opinions on whether or not you need a teacher. Why would you pay attention to me? Considering that I am a guitarist first. I have both formal and informal education because. Mostly because I have been pursuing self-directed learning. I have spent my entire adult life using my guitar to make a career and maintain a family, so it’s not for nothing. It is not done to boast or brag. I’m not famous, and you won’t see my photo on the Rolling Stone cover. What I am is a professional guitarist who loves what he does. I’ve been active in the local and regional music scenes, have a full-time creative job in the field, and continue to teach occasionally. My sole objective in writing this is to motivate, empower, and enlighten, so let’s get started.

Best Way to Learn Guitar Without a Teacher

Is it possible to learn Guitar without a teacher? 

You do not need to pay a teacher to learn how to play the guitar. Does it assist? It helps and might make a massive difference if you have a competent teacher. However, will that disadvantage you if you choose to travel independently? The answer is no, but there is a catch. As a student, you are conducting research, and that research has a source. However, you are responsible for your work ethic, tenacity, and use of your innate talents; instruction or schooling will only help if you put in the effort.

Books on how to start learning the guitar on your own

Although it’s a retro method, buying books is one way to accomplish this without taking conventional guitar lessons. Several books are available, and depending on your objectives, each takes a different approach. Even though the internet is a beneficial and widely used resource, you should compile a tiny library of guitar books. Start with a method book, a large chord book, and a songbook for beginners.

Additionally, books written with the self-taught musician in mind are highly beneficial and available from various music institutions. I use Musician’s Institute (MI) or Berklee College of Music’s (Berklee Press) publications heavily for my own needs and those of my students.


It’s simpler than most people think to teach your ear to distinguish between different pitches. Although most of us lack perfect pitch, everyone may improve their sense of relative pitch. With relative pitch, you are given a note and can recognize various pitches about that beginning point, which makes it different from the other two. It’s easy to learn how to do this.

Tone deafness has been cited as an explanation by some. A feeling of pitch can still be developed in those who are indeed tone deaf, which is only approximately 1 in 20 persons, with the help of therapy. Don’t let the possibility that you are tone-deaf stop you from improving your hearing, as the likelihood is that you are not. With relative pitch, you can identify the other chords in a song, or at least the fundamental chord changes, if you identify the first chord in a song. You will be able to distinguish between tiny features, such as the distinction between a Dm and a Dm7, through interval training. You can discover the mysteries of the universe if you develop your ear!


The level of expertise in this field is entirely discretionary, as I already indicated. However, if you’re going to teach yourself, having a fundamental understanding would be helpful. I support all my students in this area, but I recognize that not all musicians are theoretical nerds. If not, it’s okay, but let me first argue the case for the fundamentals before you decide how far you want to go.


You can find it helpful to learn scales after developing your ear and mastering the intervals. Even if you want to avoid playing lead lines or intricate fills like Tim Reynolds, doing this can help you improve your ability to learn chords, remember the neck, and hone your ear. Although learning the major and minor scales is tremendously beneficial, many start with the more condensed pentatonic scale. It’s a fantastic place to start studying scales because it’s simply five notes instead of seven. Both major and minor pentatonic scales exist, but guitarists prefer the minor scale.

My advice is to become accustomed to the major scale in one octave. C has no sharps or flats so I would start there. One octave entails beginning with the lowest C note and progressing only to the subsequent one (C – D – E – F – G – A – B – C). If you want to understand more about the neck, you can go up to two octaves. The more experienced guitarist who likes to play throughout the entire neck should use the third octave.

Chord Organization

You’ll stand out from the crowd if you understand precisely how a chord is constructed rather than just remembering the chord outlines. It’s the distinction between following a recipe and reheating a frozen dish. It takes a certain amount of nerdiness to become enthusiastic enough to bother learning it, so it’s not for the faint of heart, but it’s a highly worthwhile exercise. Once you are comfortable with the major scale in various keys, you can create a variety of chords by combining the scale’s notes in different ways. A scale is being harmonized during this process. Here is a little illustration of how this appears:


Understanding rhythm is a crucial component of learning any musical instrument. It’s acceptable to memorize only some notes on the instrument’s neck or study scales. But please practice with a metronome for the love of all that is sacred! The most significant error I observe in self-taught musicians who learn by ear is failing to use a metronome.

You are a human, not a machine. You are unable to maintain absolute, unchanging time. Regardless of your innate tendencies in rhythm, you need to train and enhance your sense of timing consistently. I don’t have any evidence to support this other than my own experience, but the ability to play in time and maintain a groove is a skill you either utilize or lose.

What Being Self-Taught Means

You are ultimately gaining knowledge from somewhere, someone, or something. Here is when the semantics that I discussed earlier come into play. You might genuinely intend to ask, “Can I learn guitar without taking official guitar lessons?” when you ask, “Can I learn how to play guitar without a teacher?” Although it might seem unimportant, this distinction matters. It is contradictory to say that you can learn without being taught. You still have an instructor, whether you take private lessons or watch videos on YouTube to learn how to play the guitar. The ability to learn at your own pace, using the resources of your choice, and in the way that you believe to be most effective is what it means to be self-guided.

You still have to put in the work whether or not you have a traditional instructor. As a long-time professional musician, I have made a significant portion of my income from teaching, and I have no problem telling you that you are free to pursue independent study if you choose. Just keep in mind that every guitarist has been wholly self-taught. It’s a tremendous step on the right path if you admit that you can’t fully master things independently. Remember that you read this post if you cannot accept it.

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